| Walt Disney’sSnow White and the Seven Dwarfs | 2004/09/01 | English | 5 |
| Toward a New Understanding of Two Films from the Dark Side: Utilizing Terror Management Theory to AnalyzeRosemary's Baby and Straw Dogs | 2009/11/30 | English | 5 |
| “The Man with the Midas Touch”: The Haptic Geographies of James Bond's Body | 2015/07/03 | English | 5 |
| From Casino Royale to Spectre: Daniel Craig's James Bond | 2018/01/02 | English | 5 |
| Gender and Genre: SituatingDesperate Housewives | 2010/11/22 | English | 5 |
| Rating the Movies | 1980/01/01 | English | 5 |
| Dreams,Dharma, andMrs. Doubtfire: Exploring Hindi Popular Cinema via Its “Chutneyed” Western Scripts | 2003/01/01 | English | 5 |
| The Commercialization of Children's Television in Postsocialist Europe | 2012/07/01 | English | 5 |
| Reading Intertitles | 1987/07/01 | English | 4 |
| THe Horror Film in Neoconservative Culture | 1993/07/01 | English | 4 |
| The Persistence of Geographic Myth in a Convergent Media Era | 2010/06/14 | English | 4 |
| Hollywood and the Rhetoric of Panic: The Popular Genres of Action and Fantasy in the Wake of the 9/11 Attacks | 2010/02/26 | English | 4 |
| Russian “Sitkom” Adaptation: The Pushkin Principle | 2003/01/01 | English | 4 |
| When TV Became a Target: Ritual and Burlesque in Television Creature Features | 2018/04/03 | English | 4 |
| From Global to (G)local: Changing Patterns of Television Program Flows and Audience Preferences in Central and Eastern Europe | 2012/07/01 | English | 4 |
| Word-Healers and Code-Talkers: Native Americans inThe X-Files | 1998/01/01 | English | 4 |
| Retrospectives: Resolving a Paradox through Liminality | 2002/01/01 | English | 4 |
| Film and Social Change: The Chinese Cinema in the Reform Era | 2000/01/01 | English | 4 |
| Saving Souls and Selling CDs: The Mainstreaming of Christian Music Videos | 1998/01/01 | English | 4 |
| The Case of FREAKS | 2002/01/01 | English | 4 |
| Assessing the Disconnect between Television Audiences: The Race, Class, and Gender Politics ofMarried… With Children | 1999/01/01 | English | 4 |
| In the Wake of Desert Storm: A Consideration of Modern World War II Films | 2002/01/01 | English | 4 |
| Monumental Fictions: National Monument as a Science Fiction Space | 2002/01/01 | English | 4 |
| Wall Street: The Commodfication of Perception | 1989/07/01 | English | 4 |
| Gender and Class Mobility in Saturday Night Fever and Flashdance | 1996/07/01 | English | 4 |
| The Terminator, Terminator 2, & The Exposed Body | 1992/04/01 | English | 4 |
| Ceremonies of Innocence and Experience in: Bull Durham, Field of Dreams, and Eight Men Out | 1990/04/01 | English | 4 |
| Sleeping With The EnemyAsPretty Woman, Part II? | 1991/01/01 | English | 4 |
| Laughing Across the Color Barrier: In Living Color | 1992/01/01 | English | 4 |
| Fathers, Sons, and Brothers | 1992/01/01 | English | 4 |