| Critical Race Media Literacy: Challenging Deficit Discourse about Chicanas/os | 2002/01/01 | English | 81 |
| Redesigning Pocahontas: Disney, the “White Man's Indian,” and the Marketing of Dreams | 1996/04/01 | English | 21 |
| Reality TV Gives Back: On the Civic Functions of Reality Entertainment | 2010/06/14 | English | 19 |
| Medita Literacy: National Developments and International Origins | 2002/01/01 | English | 19 |
| Critics’ and Consumers’ Evaluations of Motion Pictures | 1983/01/01 | English | 19 |
| The Audience in the Wilderness: The Disney Nature Films | 1996/04/01 | English | 18 |
| Film Attendance | 1981/04/01 | English | 18 |
| Disney’s Sub/Version of Andersen’s “The Little Mermaid” | 1991/01/01 | English | 17 |
| Re (de) fining Narrative Events Examining Television Narrative Structure | 2002/01/01 | English | 17 |
| Vampires, Postmodernity, and Postfeminism:Buffy the Vampire Slayer | 1999/01/01 | English | 17 |
| Television Interfaces | 2010/06/14 | English | 17 |
| Wrestling in Woolly Gloves: Not Just Being Critically Media Literate | 2002/01/01 | English | 16 |
| Final Girls and Terrible Youth: Transgression in 1980s Slasher Horror | 2001/01/01 | English | 14 |
| Jason Bourne: Gender, Geopolitics, and Contemporary Representations of National Security | 2010/02/26 | English | 14 |
| Ethical Considerations of Promoting Prosocial Messages Through the Popular Media | 1993/07/01 | English | 14 |
| Popularizing Science and Nature Programming: The Role of “Spectacle” in Contemporary Wildlife Documentary | 2003/01/01 | English | 13 |
| Mutations and Metamorphoses: Body Horror is Biological Horror | 2012/10/01 | English | 13 |
| Restoring The Black Man's Lethal Weapon Race & Sexuality in Contemporary Cop Films | 1992/07/01 | English | 13 |
| Shaking and Stirring James Bond: Age, Gender, and Resilience in Skyfall (2012) | 2014/07/03 | English | 13 |
| Bambi and the Hunting Ethos | 1996/04/01 | English | 12 |
| Bullets, Buddies, and Bad Guys: The “Action-Cop” Genre | 1993/04/01 | English | 12 |
| “It's Just Entertainment” Perspective by Incongruity as Strategy for Media Literacy | 2002/01/01 | English | 12 |
| Perspectives: “The Same Thing We Do Every Night”: Signifying Same-Sex Desire in Television Cartoons | 2003/01/01 | English | 11 |
| Reading the Kung Fu Film in an American Context: From Bruce Lee to Jackie Chan | 2003/01/01 | English | 11 |
| “Shall I Tell You What Is Wrong with Hector as a Teacher?”:The History Boys, Stereotypes of Popular and High Culture, and Teacher Education | 2013/04/01 | English | 10 |
| Reruns 2.0: Revising Repetition for Multiplatform Television Distribution | 2010/06/14 | English | 9 |
| Aids as Monster in Science Fiction and Horror Cinema | 1990/10/01 | English | 9 |
| HeIsa “Bad Mother*$%@!#”Shaftand Contemporary Black Masculinity | 2002/01/01 | English | 9 |
| There Will Never Be a “Very Special”Buffy: Buffyand the Monters of Teen Life | 1999/01/01 | English | 9 |
| Hegemony, Domestic Violence, andCops:A Critique of Concordance | 1998/01/01 | English | 9 |