Title	Publication Date	Language	Citations
Gender Politics and Neoliberalism in China: Ann Hui's The Postmodern Life of My Aunt	2009/03/20	English	7
Church Festivals and the Visualization of Identity in Collingwood Bay, Papua New Guinea	2007/10/02	English	7
Palestine Is Not a Drawing Board: Defacing the Street Art on the Israeli Separation Wall	2020/10/19	English	7
Street Scenes: The Politics of Revolutionary Video in Egypt	2016/04/14	English	7
Anthropology and Medical Photography: Ethnographic, Critical and Comparative Perspectives	2016/02/06	English	7
The Video Turn: Documentary Film Practices in 1980s India	2013/12/19	English	7
“Doing a Lynndie”: Iconography of a Gesture	2013/10/01	English	7
The Anthropologist as Photographer: Reading the Monograph and Reading the Archive	2005/07/01	English	7
The Gran Poder Parade and the Social Movement of the Aymara Middle Class: A Video Essay	2003/04/01	English	7
Taking the photographs home: The recovery of a Maori history	1991/01/01	English	7
Structured absences: Shot logs on the Marshall family expeditionary films, 1950–1958	1999/01/01	English	7
Beating around the Bush(man!): Reflections on “Miscast: Negotiating Khoisan history and material culture”	1997/10/01	English	7
The cinema and social science: A survey of ethnographic and sociological films∗	1988/06/01	English	7
Aboriginal content: Who's got it—who needs it?	1991/01/01	English	7
Family photographs: A visual heritage1	1990/01/01	English	7
Ghosts of Futures Present: Photographs in the Filipino Migrant Archive	2008/07/18	English	7
Rereading theGods Must be CrazyFilms	2006/07/01	English	7
Instagram-City: New Media, and the Social Perception of Public Spaces	2017/04/05	English	7
Rathwa Pithoro: Writing about Writing and Reading Painted Ethnography	2004/04/01	English	7
Defining Visual Street Art: In Contrast to Political Stencils	2014/12/03	English	7
What Is Visual Knowledge, and What Is It Good For? Potential Ethnographic Lessons from the Field of Legal Practice	2007/02/22	English	7
Bharatanatyam Performed: A Typical Recital	2004/01/01	English	7
Visualizing Different Kinds of Writing: Auto-ethnography, Social Science	2013/03/01	English	7
Rouch's Reflexive Turn: Indigenous Film as the Outcome of Reflexivity in Ethnographic Film	2013/03/01	English	7
From Documentation to Representation: Recovering the Films of Margaret Mead and Gregory Bateson	2013/03/01	English	6
Getting the Message Across: Art and Craft in the Service of HIV/AIDS Awareness in South Africa	2004/04/01	English	6
“We Have All Been Colonized”1: Subordination and Resistance on a Global Arts Stage	2004/07/01	English	6
Realizing Wedding Imaginations in South China	2006/01/01	English	6
Dance, Pleasure and Indian Women as Multisensorial Subjects	2004/01/01	English	6
Cracks and Contestation: Toward an Ecology of Graffiti and Abatement	2014/12/03	English	6