Text and Performance Quarterly

Title Publication Date Language Citations
Performance: Keeping Rhetoric Honest2013/12/10English8
All the (Dis)Comforts of Home: Place, Gendered Self-Fashioning, and Solidarity in a Ballet Studio2005/04/01English8
Guilty as Sin: The Trial of Reverend Billy and the Exorcism of the Sacred Cash Register2008/07/01English8
A Tough Sell: Stigma as Souvenir in the Contested Performances of San Francisco's HomelessStreet SheetVendors2007/01/01English8
In the frame: the performative spectatorship of museum selfies2018/04/03English8
At the unlikely confluence of conservative religion and popular culture:fight clubas heteronormative ritual2004/07/01English8
Lost and Found2011/10/01English8
Hip hop to rap: Some implications of an historically situated approach to performance1999/10/01English8
A mirror of her own: Anais Nin's autobiographical performances1992/04/01English8
Revenge of the dead subject: The contexts of Michael Bowman'sKilling Dillinger2000/10/01English8
“OUT ART”: Reducing homophobia on college campuses through artistic intervention1992/10/01English8
Performance as contestation: An agonistic perspective on the insurgent assembly1993/10/01English8
Co‐constructed oratory: Speaker‐audience interaction in the labor union rhetoric of Mary Harris “mother” Jones1993/10/01English8
Performing Osun without bodies: Documenting the Osun festival in print1997/01/01English8
Turning within the interpretive turn: Radical empiricism and a case for post‐ethnography1991/04/01English8
Faking identity in Clubland: The communicative performance of “fake ID”1992/04/01English8
“Good vibration” or domination?: Stylized repetition in mythopoetic performance of masculinity1994/01/01English8
Autobiographical performance and carnivorous knowledge: Rae C. Wright'sanimal instincts1998/01/01English8
Will They See Me Coming? Do They Know I'm Running? Los Lobos and the Performance ofMestizajeIdentity through Journey2009/04/01English8
From Employment to Projects: Work and Life in Contemporary Dance World2014/05/15English8
On the execution of the young giraffe, Marius, by the Copenhagen Zoo: Conquergood’s “Lethal Theatre” and posthumanism2016/10/01English8
Stories of Hyperembodiment: An Analysis of Personal Narratives of and through Physically Disabled Bodies2012/04/01English8
What is Called Presence2012/07/01English8
Storytelling, Turning Points, and Wicked Problems in Performance Studies2013/07/01English8
Remaking (the) Discipline: Marking the Performative Accomplishment of (Dis)Ability2008/01/01English8
Of Minutemen and Rebel Clown Armies: Reconsidering Transformative Citizenship2009/07/01English7
Feminist ideologies meet fashionable bodies: Managing the agency/constraint conundrum2001/01/01English7
Expressions of Experience and Transformation: Performing Illness Narratives2013/04/01English7
Phytomorphizing performance: plant performance in an expanded field2019/01/02English7
The Performance of Silence in Cristian Mungiu's4 Months, 3 Weeks, and 2 Days2011/04/01English7