| Editorial Board | 2014/09/03 | English | |
| The Performative Sustainability of Race: Reflections on Black Culture and the Politics of Representation | 2014/09/03 | English | |
| Acts of Activism: Human Rights as Radical Performance | 2014/09/03 | English | |
| Performance in the Borderlands | 2014/09/03 | English | |
| Performance on Behalf of the Environment | 2015/09/30 | English | |
| The Edges of Performance | 2015/09/30 | English | |
| Scotch & Soda | 2015/09/30 | English | |
| Studying Disability Arts and Culture: An Introduction | 2015/09/30 | English | |
| Performance and Politics: An Interview with Tim Miller | 2015/09/30 | English | |
| Home, Uprooted: Oral Histories of India's Partition | 2015/09/30 | English | |
| Embodying Black Experience: Stillness, Critical Memory, and the Black Body | 2012/10/01 | English | |
| Working-class Women, Protofeminist Performance, and Resistant Ruptures in the Movie MusicalThe Pajama Game | 2010/07/01 | English | |
| Recuperating, Revisioning and Renaming: Reading Resistance and Ritual | 2010/07/01 | English | |
| TheEvent ScoreAs a Perpetuum Mobile | 2011/11/01 | English | |
| Access and Accessibility: Performance Encounters | 2015/05/15 | English | |
| Volume Contents and Author Index, 2013 | 2013/10/01 | English | |
| The Bodies We Witness: A Sonnet | 2013/10/01 | English | |
| Text and Performance QuarterlyGuest Reviewers, Volume 33 | 2013/10/01 | English | |
| Editorial Board | 2013/10/01 | English | |
| Epistle and Episteme: Yee Sookyung'sThe Very Best Statueand the Art Object as Social Space | 2014/03/04 | English | |
| Coming to Performance Studies | 2014/03/04 | English | |
| Gendered media rivalry: Television and film on the london stage | 2001/04/01 | English | |
| Victorian refashioning: Rosalind as a paragon of victorian womanhood | 2002/01/01 | English | |
| American sympathy: Men, friendship, and literature in the new nation | 2001/10/01 | English | |
| Performing, promising, and performing promises in Sense and Sensibility | 2002/01/01 | English | |
| Performativity, context, and agency: The process of audience response and its implications for performance | 2002/04/01 | English | |
| Casts of one | 2002/04/01 | English | |
| Authorizing meaning in The Merchant of Venice | 2002/01/01 | English | |
| Autobiography as performative identity construction: The fragmented subjectivities of charlotte salomon | 2001/04/01 | English | |
| Guest Reviewers | 2006/10/01 | English | |