| “Out” in the Club: The Down Low, Hip-Hop, and the Architexture of Black Masculinity | 2008/07/01 | English | 29 |
| Pedagogy, Performance, and Autoethnography | 2006/10/01 | English | 29 |
| Skinny Bones #126-774-835-29: Thin Gay Bodies Signifying a Modern Plague | 2007/01/01 | English | 28 |
| The aesthetic of the unfinished: ethics and performance | 2004/01/01 | English | 25 |
| (M)othering Loss: Telling Adoption Stories, Telling Performativity | 2005/04/01 | English | 25 |
| Marking New Directions in Performance Ethnography | 2006/10/01 | English | 25 |
| Toward an aesthetics of natural performance | 1993/04/01 | English | 25 |
| Pro(re-)claiming Loss: A Performance Pilgrimage in Search of Malintzin Tenépal | 2005/01/01 | English | 24 |
| Dances and Discourses of (Dis)Ability: Heather Mills's Embodiment of Disability onDancing with the Stars | 2008/01/01 | English | 24 |
| Mourning speech: Haunting and the spectral voices of nine-eleven | 2004/04/01 | English | 23 |
| From failure and allyship to feminist solidarities: negotiating our privileges and oppressions across borders | 2018/04/03 | English | 23 |
| Recalling the Ghosts of War: Performing Tourism on the Battlefields of the Western Front1 This essay draws on and develops a portion of the author's PhD thesis, “Memorial Landscapes of the Western Front: Spaces of Commemoration, Tourism and Pilgrimage” (University of Surrey, Roehampton, 2003; Prof. John Eade, dir.). An earlier version was presented as a seminar paper for the conference, “Tourism and Performance: Scripts, Stages and Stories”, July 14–18, 2005, at Sheffield Hallam University, UK. | 2006/04/01 | English | 23 |
| Shamefaced: Performing Pedagogy, Outing Affect | 2007/07/01 | English | 22 |
| The spectacle of anorexia nervosa | 1993/01/01 | English | 22 |
| Affect and embodied understanding in musical experience | 2002/04/01 | English | 21 |
| Nursing motherand articulating absence | 2000/01/01 | English | 21 |
| Audiencing the Audience: Playback Theatre, Performative Writing, and Social Activism | 2003/07/01 | English | 21 |
| “What Happens [in Vegas]”: Performing the Post-TouristFlâneurin “New York” and “Paris” | 2005/10/01 | English | 20 |
| Performing sexualities in an Irish pub | 1996/04/01 | English | 20 |
| This, that, and the other: Fraught possibilities of the souvenir | 2001/01/01 | English | 20 |
| Performing and Sustaining (Agri)Culture and Place: The Cultivation of Environmental Subjectivity on the Piedmont Farm Tour | 2009/01/01 | English | 20 |
| RemappingLatinidad: A Performance Cartography of Latina/o Identity in Rural Nebraska | 2009/04/01 | English | 19 |
| Narration and narratization of a cancer story: Composing and performinga clean breast of it | 1995/01/01 | English | 19 |
| Toward a pleasure‐centered economy: Wondering a feminist aesthetics of performance | 1995/04/01 | English | 19 |
| Parody as subversive performance: Denaturalizing gender and reconstituting desire in Ellen | 2001/04/01 | English | 19 |
| All along the border: Kid frost and the performance of brown masculinity | 2000/10/01 | English | 18 |
| Joyful mayhem: Bakhtin, football songs, and the carnivalesque | 1994/10/01 | English | 18 |
| Rethinking elocution: The trope of the talking book and other figures of speech | 2000/10/01 | English | 18 |
| Narrative and time: A phenomenological reconsideration | 1994/04/01 | English | 18 |
| Performance and the celebration of a subaltern counterpublic | 1994/07/01 | English | 18 |