| Introduction: Autotheory Theory | 2020/01/01 | English | 13 |
| Loopholes of Resistance: Harriet Jacobs' Slave Narrative and the Critique of Agency in Foucault | 1993/06/01 | English | 10 |
| From Man-Eaters to Spam-Eaters: Literary Tourism and the Discourse of Cannibalism from Herman Melville to Paul Theroux | 1995/06/01 | English | 8 |
| "Male and Male and Male": John Rechy and the Scene of Representation | 2011/03/01 | English | 8 |
| Speak for Your Self: Psychoanalysis, Autotheory, and The Plural Self | 2020/01/01 | English | 7 |
| Intolerance, A Survival Guide: Heteronormative Culture Formation in Cormac McCarthy's The Road | 2012/09/01 | English | 6 |
| From Vernacular Humor to Middlebrow Modernism: Gentlemen Prefer Blondes and the Creation of Literary Value | 2010/03/01 | English | 6 |
| "A Marred Testament": Cultural Trauma and Narrative in Danticat's The Farming of Bones | 2006/12/01 | English | 6 |
| The (Super)Marketplace of Images: Television as Unmediated Mediation in DeLillo's White Noise | 1994/09/01 | English | 6 |
| Reading the Rest Cure | 2004/06/01 | English | 6 |
| The Myth of "America" and the Politics of Location: Modernity, Border Studies, and the Literature of the Americas | 1998/06/01 | English | 6 |
| "Looking About Me With All My Eyes": Censored Viewing, Carnival, and Louisa May Alcott's Hospital Sketches | 1994/09/01 | English | 5 |
| C. L. R. James, Moby-Dick , and the Emergence of Transnational American Studies | 2000/09/01 | English | 5 |
| Acting Naturally: Cultural Distinction and Critiques of Pure Country | 1993/09/01 | English | 5 |
| “For the wrongs of our poor bleeding country”: Sensation, Class, and Empire in Ridge’s Joaquín Murieta | 2009/06/01 | English | 5 |
| Gentrification, Authenticity and White Middle-Class Identity in Jonathan Lethem’s The Fortress of Solitude | 2008/03/01 | English | 4 |
| Mark Twain's Critique of Globalization (Old and New) in Following the Equator, A Journey Around the World (1897) | 2005/03/01 | English | 4 |
| Trump from Reality TV to Twitter, or the Selfie-Determination of Nations | 2018/01/01 | English | 4 |
| Marianne Moore's Precision | 2011/12/01 | English | 4 |
| Animal Autobiography and the Domestication of Human Freedom | 2015/06/01 | English | 4 |
| “But It Should Begin in El Paso”: Civil Identities, Immigrant “World”-Traveling, and Pilgrimage Form in John Rechy’s City of Night | 2014/06/01 | English | 4 |
| The Popular, the Populist, and the Populace—Locating Hamlin Garland in the Politics of Culture | 1994/09/01 | English | 4 |
| Reading White Trash: Class, Race, and Mobility in Faulkner and Le Sueur | 2000/06/01 | English | 4 |
| The "Raftsmen's Passage," Huck's Crisis of Whiteness, and Huckleberry Finn in U.S. Literary History | 2003/06/01 | English | 4 |
| Selling Edith Wharton: Illustration, Advertising, and Pictorial Review , 1924-1925 | 2001/09/01 | English | 4 |
| Corporate Thinking: Edith Wharton's The Fruit of the Tree | 1997/03/01 | English | 3 |
| Text, Lines, and Videotape: The Ideology of Genre and the Transcription of Traditional Native American Oral Narrative as Poetry | 1997/09/01 | English | 3 |
| Ralph Ellison, James Baldwin, and the Liberal Imagination | 2004/06/01 | English | 3 |
| Women On the Go: Blues, Conjure, and Other Alternatives to Domesticity in Ann Petry's The Street and The Narrows | 1998/03/01 | English | 3 |
| Freedom and Ballgowns: Elizabeth Keckley and The Work of Domesticity | 2001/12/01 | English | 3 |