| Resonances of chindon-ya: sounding space and sociality in contemporary Japan | 2020/03/17 | English | |
| Songbird and birdsong: Listening to the finches in the Harz region, Germany | 2020/07/02 | English | |
| Emancipating sounds: resistance, resonances and political practice | 2021/03/30 | English | |
| Listening, difference and the shackles of language | 2021/03/27 | English | |
| Sonic ecosystems of loss: Voices of the Rainforest at twenty-five | 2021/06/23 | English | |
| A remarkable study of musical ecologies | 2020/01/02 | English | |
| Cinema as a form of listening | 2020/01/30 | English | |
| Half a Million Strong: “forgotten” festivals punch through Arnold’s critical history of festivals | 2020/07/02 | English | |
| The poetics of sonic thinking | 2018/07/03 | English | |
| Sonorous transits and embodied geographies in Latin American music studies | 2018/07/03 | English | |
| Cult Sound Studies: hand claps, orchestra hits, and the production of popular music | 2019/07/03 | English | |
| Sound and (Black) objecthood | 2017/07/03 | English | |
| Editorial | 2017/07/03 | English | |
| “Tina M. Campt’s Listening to Images: a haptic re-engagement with the African-Diasporic archive” | 2019/01/02 | English | |
| Melancholic modalities: affect, Islam and Turkish classical musicians
Melancholic modalities: affect, Islam and Turkish classical musicians
, by Denise Gill, Oxford, Oxford University Press, 2017, 256 pp., £19.99 (paperback), ISBN: 978-0-109-49501-5 | 2018/01/02 | English | |
| The Voyager metaphor: 40 years on
The Voyager Golden Record. LP/CD, 3 discs, 31 tracks
, Ozma Records, booklet 96 pp., 187 colour images, ozmarecords.com, $98 | 2018/01/02 | English | |
| Listening to the world
Sonic intimacy: voice, species, technics (or, how to listen to the world
), by Dominic Pettman, Stanford, CA, Stanford University Press, 2017, 130 pp., US$55.00 (cloth), ISBN 978-0-80479-988-1, US$18.95 (paperback), ISBN 978-1-50360-145-1 | 2018/01/02 | English | |
| All ears: the aesthetics of espionage | 2017/07/03 | English | |
| Editorial | 2019/07/03 | English | |
| The drum machine’s ear: XLN Audio’s drum sequencerXOand algorithmic listening | 2019/07/03 | English | |
| Unboxing timbre in the Behringer model D synthesiser | 2019/07/03 | English | |
| The sound of science. Hearing research in Ernst Karel’s “Heard Laboratories” | 2017/01/02 | English | |
| Embodied minds and their aural imaginings | 2017/01/02 | English | |
| Adventures in sonic publishing: Provoke! Digital Sound Studies | 2016/01/02 | English | |
| Experimentalism materialised and dematerialised | 2016/01/02 | English | |
| Ethnomusicology and the refusal of mastery | 2016/01/02 | English | |
| Vocality at the crossroads of disciplines: Cathy Berberian’s pioneering work | 2016/01/02 | English | |
| Dissonant discourses | 2016/01/02 | English | |
| A sounding monument: how a new organ became old | 2016/01/02 | English | |
| Sonic things: knowledge formation in flux | 2020/07/02 | English | |