| “You Need Not Fear the House” | 2006/01/01 | English | 6 |
| Hearing or Seeing a Play? | 2001/01/01 | English | 5 |
| Ben Jonson's Classicism Revisited | 2014/11/01 | English | 5 |
| Talking with Ghosts: Ben Jonson and the English Civil War | 2010/05/01 | English | 5 |
| Economies of Obligation in Eastward Ho | 2004/01/01 | English | 4 |
| Ben Jonson and the Politics of “Conversion”: Catiline and the Relocation of Roman (Catholic) Virtue | 2012/11/01 | English | 4 |
| Shakespeare's Comedic “Golden Mean” | 2011/05/01 | English | 4 |
| With a “Monster's Heart”: Jonson's Caesar and the Destruction of Roman Liberty | 2013/11/01 | English | 3 |
| Aemilia Lanyer and Ben Jonson | 1994/01/01 | English | 3 |
| Ben Jonson's Catholicism | 2012/11/01 | English | 3 |
| Judging Jonson: Ben Jonson's Satirical Self-Defense in Poetaster | 2017/05/01 | English | 3 |
| In Defense of the Marketplace | 2001/01/01 | English | 3 |
| Jonson and the Gunpowder Plot | 1998/01/01 | English | 3 |
| John Marston’s What You Will and the War of the Theaters | 2006/01/01 | English | 3 |
| Private Conscience, Public Reform, and Disguised Rule in The Malcontent and Measure for Measure | 2014/05/01 | English | 2 |
| “I will write satires still, in spite of fear”: History, Satire, and Free Speech in Poetaster and Sejanus | 2007/11/01 | English | 2 |
| Ben Jonson's Late Plays and the Difficulty of Judgment | 2007/11/01 | English | 2 |
| Stefan Zweig's Volpone, eine lieblose Komödie on Stage in Austria and Germany (1926–1927) | 2007/05/01 | English | 2 |
| “Thou Trade which didst sustaine my poverty”: Thomas Heywood's The Four Prentices of London and the Emergence of a Rhetorical Counterpublic | 2017/11/01 | English | 2 |
| The Audacity of Measure for Measure in 1621 | 2001/01/01 | English | 2 |
| Valeat res ludicra | 1998/01/01 | English | 2 |
| Lover, Poisoner, Counterfeiter | 2000/01/01 | English | 2 |
| Robert Southwell | 2000/01/01 | English | 2 |
| The Sociability Cure: Expelling the Plague in Ben Jonson's Epicoene | 2012/11/01 | English | 2 |
| Jonson's Acoustic-Oriented Dramaturgy in the First Folio Playtexts ofEpicoeneandThe Alchemist | 2018/05/01 | English | 2 |
| “Of things as yet unborne”: The Poetics of Fantasy in John Marston's What You Will | 2018/05/01 | English | 2 |
| Eastward Ho and the Strength of Weak Ties for Playwrights and Patrons | 2015/11/01 | English | 2 |
| Jonson, Marston, Shakespeare and the Rhetoric of Topicality | 2020/11/01 | English | 2 |
| Service as Mastery in The Alchemist | 2010/05/01 | English | 2 |
| “'Tis New to Thee”: Power, Magic, and Early Science in Shakespeare's The Tempest | 2015/05/01 | English | 2 |