| “Sharenting,” parent blogging, and the boundaries of the digital self | 2017/04/03 | English | 127 |
| Fandom in the Digital Era | 2010/02/04 | English | 61 |
| House of Netflix: Streaming media and digital lore | 2018/02/26 | English | 56 |
| Symbolic bordering: The self-representation of migrants and refugees in digital news | 2017/04/03 | English | 54 |
| News Parody in Global Perspective: Politics, Power, and Resistance | 2012/01/01 | English | 50 |
| Race, Ethnicity, and Cultural Production | 2013/07/01 | English | 50 |
| Mobile Phones, Popular Media, and Everyday African Democracy: Transmissions and Transgressions | 2011/04/29 | English | 48 |
| Connected migrants: Encapsulation and cosmopolitanization | 2018/01/02 | English | 48 |
| Images of Animated Others: The Orientalization of Disney's Cartoon Heroines From The Little Mermaid to The Hunchback of Notre Dame | 2004/11/01 | English | 44 |
| Does the subaltern speak? Migrant voices in digital Europe | 2018/01/02 | English | 43 |
| “Creative Diversity”: UK Public Service Broadcasting After Multiculturalism | 2013/07/01 | English | 42 |
| Neo-Ottoman Cool: Turkish Popular Culture in the Arab Public Sphere | 2013/01/01 | English | 42 |
| @Sweden: Curating a Nation on Twitter | 2013/01/01 | English | 41 |
| Reality TV as Advertainment | 2004/02/01 | English | 40 |
| Performing the Looking-Glass Self: Avatar Appearance and Group Identity inSecond Life | 2011/07/01 | English | 37 |
| Sharenting and the extended self: self-representation in parents’ Instagram presentations of their children | 2020/03/30 | English | 36 |
| Now you see them: Self-representation and the refugee selfie | 2018/01/02 | English | 33 |
| Dangerous Depictions: A Visual Case Study of Contemporary Cartoon Controversies | 2009/01/15 | English | 32 |
| The Geopolitical Audience: WatchingQuantum of Solace(2008) in London | 2013/01/01 | English | 31 |
| US Soldiers Imaging the Iraq War on YouTube | 2009/01/15 | English | 30 |
| Musical exploration via streaming services: The Norwegian experience | 2016/07/02 | English | 29 |
| Verified: Self-presentation, identity management, and selfhood in the age of big data | 2017/04/03 | English | 28 |
| The digital force in forced migration: Imagined affordances and gendered practices | 2018/01/02 | English | 26 |
| Wild Dances and Dying Wolves: Simulation, Essentialization, and National Identity at the Eurovision Song Contest | 2008/07/08 | English | 25 |
| The Swedish Model: Balancing Markets and Gifts in the Music Industry | 2011/01/31 | English | 25 |
| The Games We Play Online and Offline: Making Wang-tta in Korea | 2006/08/01 | English | 24 |
| Speaking for the youth, speaking for the planet: Greta Thunberg and the representational politics of eco-celebrity | 2021/04/16 | English | 23 |
| Pop Politics: Online Parody Videos, Intertextuality, and Political Participation | 2008/09/29 | English | 23 |
| Live From New York, It's the Fake News!Saturday Night Liveand the (Non)Politics of Parody | 2012/01/01 | English | 23 |
| "My Kind of Campfire": The Eurovision Song Contest and Israeli Gay Men | 2004/02/01 | English | 23 |