| Introduction: ‘Intimacy, the Nineteenth-century Outsider’ | 2021/04/03 | English | 1 |
| Mariage de PassionorMariage de Raison? Balzac, Michelet and Legrand'sScience du gouvernement intérieur | 2008/11/01 | English | 1 |
| Military Preparation in Peacetime: Training Societies, 1871–92 | 2005/04/01 | English | 1 |
| A Medium of Exchange: TheMadame BovaryFilm | 2005/04/01 | English | 1 |
| Antoine Vollon: Rendering Butter | 2008/04/01 | English | 1 |
| Introduction | 2006/10/01 | English | 1 |
| La renaissance de la nation selonLa Débâcled'Emile Zola | 2006/04/01 | English | 1 |
| Foreword from the President of the Society of Dix-Neuviémistes | 2003/09/01 | English | 1 |
| Émile Zola’s Black Lives: Colonial Experiments and the Limits of Empathy in La Joie de vivre | 2022/06/25 | English | 1 |
| Trans Rachilde: A Roadmap for Recovering the Gender Creative Past and Rehumanizing the Nineteenth Century | 2021/10/02 | English | 1 |
| Use, Value, Justification: On History and Historicism in Nineteenth-Century French Studies | 2021/10/02 | English | 1 |
| The Laboratorium: Nineteenth-Century French Studies in the Anglophone Sphere (Part II) | 2023/01/02 | English | 1 |
| Alpine Ecology in Stendhal’sMémoires d’un touriste | 2019/10/02 | English | 1 |
| ‘L’enclume toujours chaude’: Émile Zola’s Newspaper Trilogy | 2017/10/02 | English | 1 |
| ‘Les suites des suites’: Alexandre Dumas’sLe Comte de Monte-Cristoand the News | 2017/10/02 | English | 1 |
| Publish or Perish! Constance de Salm's Identity Crisis and Unfulfilled Promise | 2017/01/02 | English | 1 |
| The Body Poetic: Laforgue's Translations of Whitman | 2016/01/02 | English | 1 |
| Malfunctioning Music and the Art of Noise: The Prepared Pianos of Jules Laforgue | 2016/01/02 | English | 1 |
| ‘Ça n’empêche pas d’être un homme’: Requeering Masculinity in Rachilde’sMonsieur Vénus(1884) | 2020/05/27 | English | 1 |
| On Display: Fame, Anonymity, and the Fin-de-Siècle Fashion Model | 2019/04/03 | English | 1 |
| De la fluidité des aquariums | 2017/07/03 | English | 1 |
| Chairs mystiques et transparentes chez J.-K. Huysmans et Marcel Batilliat | 2017/07/03 | English | 1 |
| The Temptation of the Material in Jean Lorrain’s Fairy Tales: ‘La Princesse sous verre’ and ‘La Princesse Neigefleur’ | 2017/07/03 | English | 1 |
| Matter Pools: Fluidity and Containment in French Decadent Literature: Essays in Honour of Robert E. Ziegler | 2017/07/03 | English | 1 |
| Between the Studio and the Salon: The Intimate Theatre of James Ensor’s Interiors | 2018/10/02 | English | 1 |
| Pastness and Enclosed Space as a Disruptive Subtext in the Work of Georges Rodenbach | 2018/10/02 | English | 1 |
| Female Bodies of (Inter)National Significance: Marie-Guillemine Benoist, Germaine de Staël, and Claire de Duras | 2018/12/28 | English | 1 |
| Ladies’ Choice: Prehistory and Sexual Selection inAu Bonheur des dames | 2020/10/01 | English | 1 |
| Zola’s Sense of Reality: Repetition, Deadtime, and Boredom in La Joie de vivre | 2023/09/14 | English | 1 |
| Le Corset Expérimental: Fashion, Fertility, and Fiction in Zola’s Pot-Bouille and Au Bonheur des Dames | 2022/10/02 | English | 1 |