| The Wheel of Virtue: Art, Literature, and Moral Knowledge | 2002/02/01 | English | 69 |
| The Role of Theory in Aesthetics | 1956/09/01 | | 68 |
| Meaning in Music and Information Theory | 1957/06/01 | | 51 |
| The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason | 1989/01/01 | | 47 |
| THE ROLE OF THEORY IN AESTHETICS | 1956/09/01 | English | 46 |
| Motion and Feeling through Music | 1966/01/01 | | 46 |
| On Pictorial Representation | 1998/01/01 | | 45 |
| Somaesthetics: A Disciplinary Proposal | 1999/01/01 | | 45 |
| Robust Immoralism | 2012/08/01 | English | 44 |
| What a Documentary Is, After All | 2005/03/01 | English | 37 |
| Proprioception as an Aesthetic Sense | 2006/03/01 | English | 37 |
| The Transfiguration of the Commonplace | 1974/01/01 | | 35 |
| The Ontology of Art and Knowledge in Aesthetics | 2005/06/01 | English | 35 |
| Profound Offense and Cultural Appropriation | 2005/03/01 | English | 35 |
| Superiority in Humor Theory | 2016/10/01 | English | 34 |
| On the Origins of "Aesthetic Disinterestedness" | 1961/01/01 | | 34 |
| The Historical Genesis of a Pure Aesthetic | 1987/01/01 | | 34 |
| The Experience of Magic | 2016/07/01 | English | 33 |
| The Artist's Sanction in Contemporary Art | 2005/09/01 | English | 32 |
| Appreciation and the Natural Environment | 1979/01/01 | | 32 |
| Hume's Standard of Taste: The Real Problem | 2002/08/01 | English | 32 |
| Memes and the Exploitation of Imagination | 1990/01/01 | | 31 |
| America | 1989/01/01 | | 31 |
| Thinking in Movement | 1981/01/01 | | 30 |
| The Aesthetics of Unscenic Nature | 1998/01/01 | | 29 |
| Titles | 1985/01/01 | | 28 |
| Mimesis as Make-Believe: On the Foundations of the Representational Arts | 1991/01/01 | | 27 |
| Authenticity Revisited | 1988/01/01 | | 27 |
| What Is Public Art?: Time, Place, and Meaning | 1996/01/01 | | 27 |
| The Philosophy of Literary Form | 1943/01/01 | | 27 |