| Fluttering on the Grate: Revision in "Frost at Midnight" | 2004/01/01 | English | 3 |
| Imagination, Patriarchy, and Evil in Coleridge and Heidegger | 1996/01/01 | English | 3 |
| Romancing the Counter-Public Sphere: A Response to Romanticism and Its Publics | 1994/01/01 | English | 3 |
| "What a Rich Fund of Images Is Treasured up Here": Poetic Commonplaces of the Sublime Universe | 2005/01/01 | English | 3 |
| "Those Limbs Disjointed of Gigantic Power": Barbauld's Personifications and the (Mis) Attribution of Political Agency | 1998/01/01 | English | 3 |
| The Political Prometheus | 1986/01/01 | English | 3 |
| Dangerous Blake | 1982/01/01 | English | 3 |
| Holy Savagery and Wild Justice: English Romanticism and the Terror | 1989/01/01 | English | 3 |
| Phenomenality and Dissatisfaction in Coleridge's "Notebooks" | 2004/01/01 | English | 3 |
| Justice and Indeterminacy: Wordsworth's "The Borderers" and the Trials of the 1790s | 2001/01/01 | English | 3 |
| The Logic of Passion: Hazlitt's "Liber Amoris" | 1975/01/01 | English | 3 |
| Language Strange: A Visual History of Keats's "La Belle Dame sans Merci" | 1999/01/01 | English | 3 |
| Post-Waterloo Liberalism: The Second Generation | 1989/01/01 | English | 3 |
| Telling It Like a Story: The French Revolution as Narrative | 1989/01/01 | English | 3 |
| Coleridge and Horne Tooke | 1985/01/01 | English | 3 |
| Scott's Pageants: The Example of "Kenilworth" | 2001/01/01 | English | 3 |
| An Anatomy of Solitude: Shelley's Response to Radical Skepticism in "Alastor" | 1992/01/01 | English | 3 |
| Coleridge's Collaborator, Joseph Henry Green | 1982/01/01 | English | 3 |
| "Rude Intercourse": Uncensoring Wordsworth's "Nutting" | 1996/01/01 | English | 3 |
| Grammar and Rhetoric in Wordsworth's "A Slumber Did My Spirit Seal": Heidegger, de Man, Deconstruction | 1997/01/01 | English | 3 |
| "Frankenstein", Feminism, and the Intertextuality of Mountains | 1984/01/01 | English | 3 |
| "Shadow-Hunting": Romantic Irony, "Sartor Resartus," and Victorian Romanticism | 1978/01/01 | English | 3 |
| "Not Thus, after All, Would Life Be Given": "Technesis", Technology and the Parody of Romantic Poetics in "Frankenstein" | 1997/01/01 | English | 3 |
| The Ethics and Aesthetics of Shelley's "The Cenci" | 1996/01/01 | English | 3 |
| Keats and Politics | 1986/01/01 | English | 3 |
| Interpretation and Value in "Mont Blanc" and "Hymn to Intellectual Beauty" | 1991/01/01 | English | 2 |
| Blake's London: Times & Spaces | 2002/01/01 | English | 2 |
| The Romantic as Scientist: Lorenz Oken | 1977/01/01 | English | 2 |
| The Erotics of Interpretation in Keats's "Ode on a Grecian Urn": Pursuing the Feminine | 1993/01/01 | English | 2 |
| Diderot in the Text of Hegel: A Question of Intertextuality | 1983/01/01 | English | 2 |