Studies in Hispanic Cinemas

Title Publication Date Language Citations
Revolution, ideology and the eye of cinema: El cometa as mise en abyme2012/01/30English
Love Goddesses: angels and demons in Mexican cinema2012/01/30English
Report on Guadalajara: Art and industry2012/01/30English
Remembering the present: Iñaki Arteta's Trece Entre Mil and the transmission of grief2012/01/30English
Introduction: ‘Children in Hispanic cinema’2012/03/29English
The cinema of Sáenz de Heredia and the transition (1969–75): Images of women and the dialectics between tradition and modernity2012/01/30English
International Conference on Hispanic Cinemas: In transition2012/01/30English
BOOK REVIEWS2012/03/29English
Reviews2012/01/30English
Reviews2010/12/01English
San Juan de la Cruz in Tactilvisión: The technological mysticism of José Val del Omar's <I>Tríptico elemental de España</I>2010/12/01English
Narciso Ibáñez Serrador, an early pioneer of transnational television2010/12/01English
Report from San Sebastián: Historical Memories2010/12/01English
Theatricality/sexuality/performance: Neorrealism and the construction of identity in <I>Calle Mayor</I> and <I>Entre Visillos</I>2007/09/21English
<I>Madagascar: Un viaje interno</I>2007/09/21English
Infinite landscapes in Gutirrez Aragn's <I>Habla, mudita</I>2007/09/21English
Reviews2007/09/21English
Allegorising the body politic: Masculinity and history in Saura's <I>El jardn de las delicias</I> (1970) and Almodvar's <I>Carne trmula</I> (1997)2007/11/13English
Editorial2007/11/13English
The Beautiful and the Monstrous Masculine: The Male Body and Horror in <I>El espinazo del diablo</I> (Guillermo del Toro 2001)2007/11/13English
Reviews2007/11/13English
Review Article2007/12/01English
Index Volume 42007/12/01English
Connecting Spain and the Americas in the cold war: the transnational careers of Jorge Negrete and Carmen Sevilla2009/07/01English
Unheard confessions and transatlantic connections:Y tu mam tambin and Nadie hablar de nosotras cuando hayamos muerto2009/07/01English
Reviews2009/07/01English
Border-crossings and textual gaps: a globalized mode of production inProfundo carmes and Terra estrangeira2009/07/01English
Book Reviews2005/09/01English
Memory and the spectator in post-dictatorship Argentina: misreading D'Angiolillo's <I>Potestad</I>2005/09/01English
Ventura Pons's <I>Barcelona (un mapa)</I>: Trapped in the Crystal2009/12/01English