Clues: A Journal of Detection

Title Publication Date Language Citations
Dangerous Women: Vera Caspary's Rewriting of <i>Lady Audley's Secret</i> in <i>Bedelia</i>2010/08/20
Daniil Kharms and Sherlock Holmes: Between Imitation and Deconstruction2010/08/20
Introduction: Celebrating the Familiar and Unfamiliar2010/08/20
Cornell Woolrich and the Tough-Man Tradition of American Crime Fiction2010/08/20
Book Reviews2010/08/20
Horace Dorrington, Criminal-Detective: Investigating the Re-Emergence of the Rogue in Arthur Morrison's <i>The Dorrington Deed-Box</i> (1897)2010/08/20
"Out from the mentor's shadow": Siobhan Clarke and the Feminism of Ian Rankin's <i>Exit Music</i> (2007)2010/08/20
Darwin and the Detective: Aspects of the Darwinian Worldview and the Sherlock Holmes Stories of Arthur Conan Doyle2010/08/20
The Islamic Epistemology in a Western Genre: Ahmet Mithat Efendi's <i>Esrar-ı Cinayat</i>, the First Detective Novel of Turkish Literature2011/09/01
Policing Big Sky Country: Robert Sims Reid's Montana Procedurals2011/09/01
True-Crime Narratives and Detective Fiction in Interwar Britain2011/09/01
Book Reviews2011/09/01
Maigret, Simenon, France: Social Class and Social Change in the 1930s Maigret Narratives of Georges Simenon2011/09/01
Alias Atwood, Alias Author, Alias Murder2011/09/01
Tails, Gunfights, and Murder: The Role of the Automobile in the Noir Fiction of James M. Cain and Raymond Chandler2011/09/01
Sound, Silence, and the Cipher of Personality in the Novels of Raymond Chandler2011/09/01
Gender and Genre in Mickey Spillane's <i>Vengeance Is Mine!</i> (1950)2011/09/01
Aging in F(r)iendship: "Big Ger" Cafferty and John Rebus2011/09/01
The Last Word: H. R. F. Keating—The Writer and the Man2011/09/01
Au Revoir, but Not Adieu2011/09/01
Rex Stout: Fortune and Formula2011/09/01
Hitchcock's Diegetic Imagination: Thornton Wilder, <i>Shadow of a Doubt</i>, and Hitchcock's Mise-en-Scène2013/04/01
Melancholy Elephants: Hitchcock and Ingenious Adaptation2013/04/01
"Inspiring Public Uneasiness": Hitchcock's Adaptation of Conrad's "Simple Tale"2013/04/01
Book Reviews2013/04/01
Reading Hitchcock/Reading Queer: Adaptation, Narrativity, and a Queer Mode of Address in <i>Rope</i>, <i>Strangers on a Train</i>, and <i>Psycho</i>2013/04/01
"Dear Miss Lonelyhearts": Voyeurism and the Spectacle of Human Suffering in <i>Rear Window</i>2013/04/01
Tana French and Irish Crime Fiction2013/04/01
The Second Look, the Second Death: W. G. Sebald's Orphic Adaptation of Hitchcock's <i>Vertigo</i>2013/04/01
"The Proper Geography": Hitchcock's Adaptation of Daphne du Maurier's "The Birds"2013/04/01