Journal of Popular Music Studies

Title Publication Date Language Citations
Contributors’ Notes2013/12/01English
Editors’ Note2013/12/01English
In Conversation with Steve Levine2016/02/12English
The Paranoid Style and Popular Music: The Case of the Vigilant Citizen2016/02/17English
Why do we listen (to pop music)?2017/09/01English
Every song ever: Twenty ways to listen in an age of musical plenty. Ben Ratliff. Farrar, Strauss & Giroux: 2016, 272 pp.2017/09/01English
Modernity's ear: Listening to race and gender in world music. Roshanak Kheshti. NYU Press: 2015, 208 pp.2017/09/01English
Audible empire: Music, global politics, critique. Ronald Radano and Tejumola Olaniyan. Duke University Press: 2016, 432 pp.2017/09/01English
The revolution will not be televised: Protest music after Fukushima. Noriko Manabe. Oxford University Press: 2015, 464 pp.2017/09/01English
Microgroove: Forays into other music. John Corbett. Duke University Press: 2015. xxi, 468 pp.2017/09/01English
Rocking the delegate rolls at the national party conventions in 20162017/09/01English
Contributors' Notes2017/09/01English
Editors' Note2017/09/01English
Calling out the nameless: CocoRosie's Posthuman sound world2017/09/01English
Issue information2017/09/01English
Commercial suicide: Negotiating genre in the San Francisco Bay Area underground2017/09/01English
Johnny Cash's “Ain't No Grave” and Digital Folk Culture2016/03/18English
Contributors' Notes2016/03/01English
Issue information2016/03/01English
Editors’ Note2016/03/01English
Musical Beauty and Top 40 Democracy: A moderated conversation2017/03/01English
Paul Théberge, Kyle Devine, and Tom Everrett. Living stereo: Histories and cultures of multichannel sound. New York: Bloomsbury, 2015. 289 pp.2017/03/01English
Issue information2017/03/01English
Michael James Roberts. Tell tchaikovsky the news: Rock ‘n’ roll, the labor question, and the musicians’ union, 1942-1968. Durham: Duke University Press, 2014. 280 pp.2017/03/01English
Bell Patterns, Polyrhythms, Propulsive Subdivisions, and Semitones: The Musical Poetics of Late-1990s Cash Money Records Style2016/08/08English
Improvised Rock and Independent Labels: The Dead C, Dunedin and the 1990s12016/08/10English
Issue information2016/06/01English
Editors' Note2016/06/01English
Contributors' Notes2016/06/01English
Silenced Sounds: The State of Post-1940 Popular Music in United States Libraries and Archives2016/05/11English